Richard Green’s latest single, Holding a Gun, is not the kind of track you simply put on in the background—it demands your attention. Dark, pulsing, and emotionally charged, this piece walks a fine line between the dance floor and the diary, fusing tech-house grooves with breakbeat bursts that feel as unpredictable as life itself.
At its core, Holding a Gun isn’t really about weapons at all. Instead, it’s a clever metaphor for the way people judge one another, quick to point fingers when things go wrong, but far slower to remember kindness. That tension comes alive in the music itself: the thudding bass hits like a heartbeat under stress, while sharp electronic textures slice through, echoing the sting of criticism. Yet, there’s also a resilience in the rhythm, as if the track is reminding you to keep moving forward even when the world feels against you. The production is slick but never sterile. You can hear the influence of Boyz Noize, especially from his early hard electro-techno years, but Richard twists it into something deeply personal. The beat drops aren’t about cheap thrills—they carry weight, mirroring the frustration and defiance behind the theme. It’s music built both for the club and for headphones, where every detail—the synth swells, the breakbeat shifts—adds another layer of storytelling.
What makes this release so striking is Green’s versatility. Known for his neoclassical projects with piano and strings, he proves here that he’s just as commanding in the electronic arena. Holding a Gun shows that he isn’t tied to one style; instead, he treats genres like colours on a painter’s palette, blending them until something entirely new emerges. In the end, Holding a Gun is more than just a track to dance to. It’s a statement against quick judgment, wrapped in the armour of thumping beats and relentless energy. Bold, uncompromising, and a little bit haunting—this is Richard Green at his most daring yet.
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