Rosetta West’s most recent album, “Night’s Cross”, is a remarkable and emotional assortment of songs that examine death, grief, and the struggle to overcome. The album’s blend of blues, rock, and folk keeps it from being dominated by its themes. Rather, it offers a captivating musical experience that brims with energy and encourages deep thought. The opening track, “Save Me”, sets the tone with its sharp bluesy guitar riffs and desperate singing. It evokes feelings of urgency; the narrator appears to be desperately calling for help in a world that is closing in on them. “Suzie” follows it, becoming more rhythmic and weaving in folk influences that blend beautifully, like a road song that evokes deep nostalgia.
“Dora Lee” is the most memorable for its eerily beautiful vocals and instrumental hints. There is a haunted serenity that looms long after the song finishes. “Diana” shifts, bringing a somber yet oddly comforting feeling. The words depict a story of love and loss with a melody that feels multidimensional. “You’ll Be The Death Of Me” is sinister and gritty, with a heart-pounding bass and lyrics that slice like a knife. It’s one of the more intense tracks on the album which epitomizes how the band balances emotion and intensity. “Alligator Farm” is a pleasant surprise with its almost swampy, playful sound—an unexpected addition that creates variety to the record. “Cold Winter Moon” relaxes the tempo with a dreamy, atmospheric feel. The imagery of ice combined with the sad tone gives it a more introspective feel, making it one of the most emotional tracks on the ep. “Desperation” lives up to its name, delivering a powerfully intense and desperate feeling with the help of drumming and guitar work. “Oh, Death” is one of the most stunning moments, a reinterpretation of the old folk theme, which by all means feels both reverent as well as reworked. This is when the band starts getting deep into their magical side, styling something that feels like a ritual. “Ready To Go” puts some defiance back in the album track with lyrics suggesting acceptance of fate, but on one’s terms.
“Baby Doll” offers a more bittersweet vibe that can be viewed as soft. There is a glimpse of rest from the weighty themes of the album with the soft, delicate instrumentation. “Underground Again” wraps up the album quite literally as the final track. Everything feels neatly tied together and the song’s steady groove with breathy, layered vocals serves as a farewell—both ghostly and oddly soothing. This is ‘Night’s Cross’; a brilliant piece of art that doesn’t shy away from the harder parts of life. The album stands as a testament that even in the presence of darkness, music provides comfort, expression, and even a reason to celebrate. As Rosetta West continues to carve its space in the underground music scene, this album serves as proof of its artistry.
English